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BY NICK LICATA
his editorial is not going where you might think it is but it’s likely the title got your attention. The hot models I’m referring to aren’t the ones standing next to a hopped-up Chevelle on the cover of a 1982 muscle car magazine. What I’m referring to are particular models of Chevy and how it got your attention.
For me it all started with the first-gen Camaros. There were a few making noise in my neighborhood and at my high school. To me they always stood out as the coolest looking of all muscle cars. Those cars stuck in my head, so a few years out of high school I bought a 1967 Camaro. It wasn’t anything special, but it had the folding rear seat option, which according to the Camaro White Book, there were 17,993 built with this $31.10 option. I’ve heard them referred to as the “businessman coupe,” and I thought it was a cool storage area. Unfortunately, I sold it in the early 1990s, and for not much more than what I paid for it just three years earlier. And in reference to my editorial in the Sep. ’24 issue, man, I wish I still had that car. Something most of us can relate to.
Years later, I went through a phase where I really wanted another Camaro; this time a 1969, but by the time that quest started, even a rusted hulk was out of my price range, so I set sights on an early second-gen Camaro. It had to be a 1970-1973, though, as I wasn’t keen on the big-bumper models that came out in 1974 and after; it was all about those round taillights and thin bumpers for me.
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1959 Corvette
ittle details and overall thoughtfulness are what set this Corvette build apart. Builder Josh Sanders incorporated functionality throughout all areas of the car. Even the custom panels in the engine bay are easily removed for maintenance access. Under a handmade engine cover is an LS7, which is backed up to a T56 Magnum transmission.
Managing all that power is an Art Morrison fully independent chassis. Behind the custom EVOD wheels are big 14-inch Wilwood rotors with six-pistons up front and four in the rear. The stance created by the chassis along with the EVOD wheels create an exciting look while keeping the overall design tasteful.
nce you experience the satisfaction that comes with driving a car that you’ve customized with pride, there is no going back—especially if you’ve been reliving the experience for 40 or more years. That is certainly a long time to be involved in this lifestyle, but for a guy like Scott Mittelsteadt from Buena Park, California, it has become second nature.
Scott’s love affair with all things automotive started way back when he was in junior high school. His group of friends were already certified gearheads before they even had their learner’s permits. This formidable exposure at school was only magnified at home for Scott since his dad was also into cool old cars. In fact, there was one vehicle that resonated enough with Scott to lead him into buying and restoring one of his own years down the line.
t’s the beginning of a fantastic day. You’ve tightened the last bolt to install that bad-boy small-block in your Chevelle and it’s time for a testdrive. The engine is just plain gnarly at idle, sounding more like an NHRA Comp Eliminator small-block in the staging lanes rather than just another street small-block.
But on the testdrive, the engine exhibits a nasty off-idle stumble, and you notice that the idle is stinky fat but fiddling with the idle mixture screws does not seem to help. And when you lean out the idle mixture screws, that off-idle stumble gets worse despite adding larger Holley accelerator pump nozzles and a more-aggressive pump cam. Even your brother-in-law, the self-proclaimed Holley expert, has no clue on how to remedy this situation.
But there is a simple solution that anyone can apply to virtually any engine suffering this fate. It will require some tuning patience, but the actual steps are fairly easy. We’ll also offer some alternatives if you’re not sure about your prowess with making modifications to a typical Holley carburetor. This is the carb that we will focus on, although as mentioned, the steps would be similar for any carburetor.
he 1963 Sting Ray is considered by many to be the most desired model and year Corvette ever. With its sleek, modern design, a range of powerful engine choices, and newly introduced independent rear suspension, its popularity makes total sense. With mostly positive reviews from automotive journalists when it debuted in the fall of 1962, those favorable assessments translated to strong sales. The 1963 model marked the first year of the C2 and featured a one-year-only distinctive rear split window. While this iconic feature contributed to the car’s futuristic and aggressive demeanor, it also created a blind spot posing visibility issues, which many owners considered to be an inconvenience. Some actually had dealers replace the split window for a single-piece rear window. Blasphemy!
espite the fact that Chevrolet was the automotive sales leader in 1954, it was painfully obvious it was time to make some changes. Chevrolet was still using a version of the inline six-cylinder engine introduced in 1929. While it was vastly improved compared to the original design, Chevrolet’s chief competitor, Ford, had introduced an OHV V-8.
Another inescapable issue was Chevrolet’s styling had grown stale. The basic design introduced in 1949 had been repeatedly massaged, but by 1954 it was old news. In 1955 everything changed. The revolutionary small-block V-8 debuted, and some of the brand’s most iconic body styles would be produced over the next three years: the 1955, 1956, and 1957 Chevrolets, commonly referred to as Tri-Fives.
hevy Squarebodies have always been a “thing” to Douglassville, Pennsylvania’s Marc Schankweiler. His love for these cars started in high school back in the 1980s with a 1966 Chevy II that started as a rolling chassis. It morphed from its 283ci small-block and powerglide roots into a powered-up 327ci muscle ride, built right with a Muncie four-speed between the buckets. “That car met its demise a few years later after an accident, when ‘distracted driving’ meant staring out the window at used cars on a Chevy dealership lot,” Marc admits.
t’s certainly not a rare occurrence for one upgrade to necessitate a whole slew of other unexpected tasks to pop up. When it came to our buddy Bruce Valley’s 1957 Chevy Handyman Wagon project it seemed to exemplify this. What began as a project with a short list of modifications soon turned into a near body-off restomod job. The simple task of swapping out the previous 350ci engine with a new LS3 meant that if we wanted the end result to reflect what we thought it deserved, the entire engine compartment needed restoration. When it came to the few suspension upgrades, the story continued. New parts shouldn’t be haphazardly thrown onto filthy framerails amidst miscolored inner fenders. No, the frame got a thorough cleaning and a couple fresh coats of chassis black while the inner fenders and all underlying sheetmetal got a new layer of undercoating. The end results speak volumes, so the extra bit of effort goes a long way in producing a product one can be proud of, but it takes more time and a little more money to get those results.
The interior of the car wasn’t originally going to receive too much attention, but with the addition of the LS engine, we decided that it would probably be a good idea to upgrade the gauge package so a keener eye could be kept on the operations of the 400-plus horse powerplant.
ost of us have heard the saying about the apple not falling far from the tree. That holds true for many even if the tree is filled with different fruit. In Paul Rivard’s case his affinity for all things mechanical had its origins in the trucking world. Growing up in Massachusetts and then migrating north to New Hampshire in his early twenties, his mechanical influences were directly tied to his family’s trucking company and their truck repair business. He’s not quite sure what sparked that initial interest in all things Chevy, but he does point out that “my first car was a 1967 Mustang. I was 14 years old at the time. By the time I turned 18 I already had a 1971 split bumper Camaro and a Nova as a winter beater.” Family influences weren’t specific, but it didn’t take him long to develop a taste for the way GM products did their thing. He explains, “Chevrolets just came easier to me. Buying them and then getting used to things like how the suspensions were designed on different GM cars and understanding those subtleties was just easier for me to latch onto.” That interest in those suspension nuances set the stage for some of the builds he would execute and is evident in the 1974 Camaro that he recently finished.
hen it comes to low-budget project cars, the fourth-generation Nova is holding strong. You can still pick one up for cheap, and they make for a great street cruiser or drag car project. All of the underpinnings are similar to earlier Novas and Camaros, meaning that the chassis and suspension can be upgraded easily. The problem area for many fourth-gen Novas is the body and interior, as replacement parts haven’t reached the same level of availability as earlier muscle cars. Thankfully, Classic Industries is stepping up to the plate with restoration components for these disco-era Chevys.
In the case of our 1977 Nova project car, the main area of focus for this article is the rear body section. Like many 1970s GM cars, the bumper filler panels were in dire need of attention. The centersection was completely missing and the corners were on the verge of turning to dust. A previous owner had replaced the old taillights with some generic LED trailer lights. They worked nicely, but we wanted the original look, so this was an opportunity to give the rear section a complete makeover.
ome guys, and gals, are smitten by a particular brand of car and then narrow it down to an exact model. Sam Palazzolo’s “go-to” ride is the Chevelle. “The Chevelle is my favorite muscle car of all time,” Sam says. “I’ve had a 1972 Chevelle, and also a 1972 El Camino, but I’ve always wanted a 1970 Chevelle.”
The retired automotive repair shop owner purchased the car back in 2011 and has been wrenching on it ever since. “My nephew, Tim at GAP Industries, ended up redoing the rear suspension being it was done incorrectly by the previous chassis shop,” Sam states. “So, Tim rebuilt the rear framerails, mini-tubbed it, mounted a fuel cell, and installed a new rearend.”
n the weekend of July 12-14, Goodguys Rod & Custom Association rolled into Columbus, Ohio, for what they refer to as “The Big One:” The 26th Summit Racing Nationals presented by PPG. As expected, the huge classic vehicle event featured over 6,000 muscle cars, hot rods, customs, and vintage trucks throughout the massive Ohio Expo Center.
Beyond the thousands of muscle cars and hundreds of vendors gathered on the show grounds over the three-day event, many hard-core enthusiasts looked forward to Saturday’s announcement of the PPG Street Machine of the Year and the Classic Instruments Street Rod of the Year winners. Top builders from all over the country brought their A-game, which showcased intricate fabrication skills with sheetmetal draped in flawless paintjobs—all true works of art. Most of these vehicles have been years in the making, and these builders consider the Street Machine and Street Rod of the Year as one of the most prestigious awards to be given all year.
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