Muscle Car Marathon—Sick Smokies Drag-and-Drive
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Rescue Mission: 1969 Chevelle Restored and Reimagined
Hail Hath No Fury
Repairing Weather-Damaged
1967 Chevelle Sheetmetal
Street Carb Review
We Break Down Four
Top
750-cfm Models so
You Don’t Have To
Hail Hath No Fury
Repairing Weather-Damaged 1967 Chevelle Sheetmetal
Street Carb Review
We Break Down Four Top 750-cfm Models so You Don’t Have To
March 2026
Preview Issue
Make It Yours. Make It Lokar. Modern Performance. Classic Style. Endless Options.
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On the Cover
Tri-Five Chevys are extremely versatile when it comes to building a hot rod, yet they remain a popular choice when it comes to building a straight-axle street machine. Steve and Margot English’s beautiful, blown big-block 1957 Bel Air pays homage to that legendary ’60s gasser style. Check out the full feature starting on page 16.
Cover image by Fuelish Media.
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All Chevy Performance ISSN 2767-5068 (print) ISSN 2767-5076 (online) Issue 63 is published monthly by In the Garage Media, 370 E. Orangethorpe Avenue, Placentia, CA 92870-6502. Postage paid at Placentia, CA. POSTMASTER: Send address changes to: All Chevy Performance c/o In the Garage Media, 1350 E. Chapman Ave #6550, Fullerton, CA 92834-6550 or email ITGM at subscription@inthegaragemedia.com. Copyright (c) 2026 IN THE GARAGE MEDIA. Printed in the USA. The All Chevy Performance trademark is a registered trademark of In The Garage Media.
Departments
Features
Steve & Margot English’s 1957 Bel Air
Scott Mayo’s 1968 Camaro
Mike Nation’s 1987 IROC-Z Camaro
Larry Fannin’s 1969 Chevelle
Jeff Pont’s 1969 Camaro
Tech
A Look at Four Distinctly Different 750-cfm Carburetors
Installing Fresh Threads in a Second-Gen Camaro
Repairing a Pelted Chevelle
Part 2: Glass and ’Glass
Event
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 BY NICK LICATA

Corvette Summer in the Fall
E

very year thousands of automotive enthusiasts make the pilgrimage to Las Vegas for the annual SEMA show to catch up on the latest happenings in the automotive aftermarket world. There is never a shortage of companies debuting new products geared toward making your car run faster and look cooler—you know, stuff we probably don’t need. Skip that … it’s stuff we absolutely need!

Amid the flood of new products at the Las Vegas Convention Center, many companies showcase top-tier muscle car and hot rod builds from some of the country’s best builders, using these standout vehicles to draw potential buyers into their booths. It’s a brilliant tactic that does exactly what it’s supposed to do. But, most of these cars are not just attractive emptiness—far from it—these vehicles are projects that builders have spent years working on to show off their incredible car building talents at the most high-profile automotive spectacle in the world.

What would be considered more coincidence than by design, every SEMA show has a heavy presence of a particular brand and model of muscle car. I remember previous SEMA shows where Mopars dominated the show, while there have been a number of years where you couldn’t turn a corner without the possibility of scratching a first-gen Camaro with your backpack. This year’s SEMA show revealed an unusually high volume of C1 to C3 Corvettes—all incredible cars built in Pro Touring, Day Two, and restomod styles—many featuring the most amazing one-off fabrication parts developed with surgical precision and glistening paintjobs that didn’t just seek but demanded your attention. It was an unforgettable gathering of the most innovative Corvettes I’ve ever seen at SEMA, and I truly believe this one will be hard to beat.

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1. Corvette Suspension Upgrade
Ridetech’s StreetGRIP suspension system upgrades 1963-82 Corvettes with modern handling, comfort, and a lower stance. Ideal for restorations or restomods, the kit includes springs, adjustable shocks, self-lubricating bushings, a heavy-duty sway bar, and optional steel rear leaf springs. Featuring Fox Factory shocks with a million-and-one-mile warranty, StreetGRIP improves ride control, reduces body roll, and enhances steering response for a superior driving experience.
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1977 Monte Carlo
1977 Chevrolet Monte Carlo
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BUILDER: Devlin Rod and Customs, Wichita, Kansas
Text & Rendering by Tavis Highlander
T

hese big grilled monsters don’t get much attention from hot rodders. The guys at Devlin Rod and Customs were able to work their magic on it, though. First up was the powertrain. There’s no two-barrel 305 under the hood of this Monte. Instead, Devlin installed a 625hp 7.0L LSX with a 4L80E to back it up. Detroit Speed suspension, Wilwood disc brakes, and a 9-inch rearend get this thing going, stopping, and turning.

Seventeen- and 18-inch Billet Specialties wheels get the exterior headed in a better direction. Cut-down and tucked bumpers clean up the look further. A simple touch to the outside was to add some sort of graphic to break up the sides of the Monte. On the front fenders a simple hockey stripe was designed to accent the stock body lines.

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Full Blown Psycho
Steve and Margot English’s Badass Bel Air
BY Fuelish MediaImages by THE AUTHOR
L

ike many of us, Steve English of Vail, Arizona, has been a car guy since he was very young (8 years old in Steve’s case). When he grew out of playing with Hot Wheels, he made the leap into buying a 1978 Firebird Formula in 1981. A year later he joined the U.S. Air Force, first stationed in Jackson, Arkansas, and then overseas. That car followed him for both trips and when Steve got back home in 1988, he made more plans for the Firebird. He decided on selling it off to buy a 1985 Monte Carlo SS that he held onto until 2015. By this time, Steve had retired from the service and had owned that Monte Carlo for over two decades. He decided it was time for something new, and luckily his partner in crime, his wife, Margot, was thrilled to be along for the ride.

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Four different performance carburetors, including Edelbrock and Holley models, mounted on an orange engine block for a side-by-side technical comparison.
Choosing a Street Carburetor
A Look at Four Distinctly Different 750-cfm Carburetors
By Jeff Smith Images by The Author
Y

ou see the quotes all the time on the Internet: someone asks a simple forum question, “Hey, which carburetor would be a good choice for my car?” The responses are filled with personal rebukes about how poorly a certain carburetor performs, like “All those Q-jets are Quadra-bogs” or “Those Edelbrocks are junk” or “Holleys are nothing but a calibrated leak.”

What are rarely mentioned are specific positive and sometimes negative points of these carburetors. Based on this lack of detailed feedback, we thought we’d address this issue by evaluating four completely different carburetors: a Holley 4150, a Rochester Q-jet from the ’70s, an Edelbrock AVS2, and Summit’s four-barrel version. These are all 750-cfm carburetors except for the Edelbrock, which is rated at 800 cfm. We’ll take a close look at each one. We will not choose one over the other but rather let your specific application make the decision. How you intend to use your carburetor may well influence its choice. That’s something that is rarely mentioned.

For the purpose of this story, we will focus on mild small- or big-block Chevy engines that make less than 500 hp. These will be engines used in daily driven or mild performance applications with conservative cam timing numbers where their primary function is street use with throttle response, driveability, and fuel mileage of significant concern.

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Side profile of a black 1968 Camaro parked on asphalt in front of a light gray stone wall. The car features multi-spoke dark wheels, low-profile tires, and visible red brake calipers.
By John Machaqueiro Images by The Author
Exceeding Expectations

Scott Mayo’s 1968 Camaro

W

e are, in many ways, shaped by our environment and the people we spend time with, as well as the interests they pursue—intentionally or not. The passions we develop, the skills we acquire, and even the paths we choose often reflect those influences. Growing up, Scott Mayo’s automotive tastes were shaped early by the car guys he hung out with. “I had been hanging around with some guys who had ’67 Camaros,” he recalls, “roughly two years before I bought my first Camaro at 16.” That was in 1973 when he dove in with a slightly abused ’68 Z/28. “The original engine was gone, and it had a 396 big-block when I bought it. I tracked down the original owner—his car had been stolen three times, and the insurance company sold it after the third theft.” Over time, Scott’s collection grew to include a 1990 1LE IROC, a 1970 Z28 RS, a 1997 Z28, a road-race-prepped 1968, a 2002 35th Anniversary Edition sent to GMMG for a Phase 2 conversion, and an all-original black-on-black 1969 Z/28 RS with factory JL8 four-wheel disc brakes. Though these cars were exceptional, Scott sought something more personal: a Camaro that reflected his tastes, one he could enjoy without worrying about devaluing a rare numbers-matching drivetrain or scuffing original paint.

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High-angle view of a white second-gen Camaro with a black vinyl roof parked in a garage. Two grey front bucket seats and two rear seat sections are laid out on the concrete floor in front of the vehicle.
By Chuck Vranas Images by The Author
Upgrading the Business Office
Installing Fresh Threads in a Second-Gen Camaro
R

egardless of whether you’re working on a fresh build or making provisions to improve your existing ride, one of the most important decisions you can make is how to address the interior seating. Picture your Chevy with its buckets or bench removed and study the real estate left within the cabin. This gives you the opportunity to examine the area and make decisions with regard to the vast options available through the aftermarket to give it a timeless new look. Choosing between a custom look, OEM-style, or something in-between offers an endless stream of possibilities regarding colors, textures, and materials available to set the vibe.

Familiar to many of our regular readers, we’ve covered the buildup of this 1971 Camaro over the past few years in All Chevy Performance magazine. Commencing with a bare shell, it’s taken us on a journey through all aspects of the build, including suspension and brakes, LS engine, cooling, exhaust, sheetmetal, wiring, and insulation, just to name a few. Featuring a scorching 5.3L LC9 linked to a T-56 six-speed manual transmission, it’s a perfect power combination for hitting the streets. This time we’re completing the business office with new material and seating to make driving a dream.

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Front three-quarter view of a black third-generation Chevrolet Camaro IROC-Z featuring gold BC Forged wheels and a custom tan interior.
BY NICK LICATAImages by NotStock Photography
Bad Intentions
Mike Nation’s 1987 IROC-Z Camaro
I

t’s a familiar story: the one about someone chasing the car that shaped their high school imagination. The only variable is the years they strolled those sacred halls. For Mike Nation, the formative metal came by way of Mötley Crüe and the third-gen Camaro—more specifically, the 1987 IROC-Z. “I’ve always wanted one since they first came out,” Mike says. “I couldn’t afford one back then, but I was finally in a position to set my sights on a clean, original IROC-Z when I found this gem with just 28K on the clock.”

There was just one catch. The seller insisted the car remain original before turning over the Bowtie key chain and attached Camaro keys. “I did not tell him my plans for the car,” Mike says with a sheepish grin. “But in my defense, I did attempt to keep the car as original-looking as possible. One example is that we kept the stock radio and had it converted to Bluetooth, so it looks factory. If he saw the car today, I really think he’d approve.”

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A technician inspecting a classic maroon Chevrolet Chevelle SS in a body shop, with yellow tape markers indicating hail damage across the hood and roof.
The Redo From Hail
Repairing a Pelted Chevelle
By “Rotten” Rodney Bauman Images by the Author AND Tracy Paskey
R

ain on your proverbial parade is one thing. Hail on your pride-and-joy 1967 Chevelle is something else. In this particular instance, it’s an interruptive setback to happy motoring.

Around these parts of northwestern Montana, we hear our hail described as “baseball size” and even “softball size” on occasion. When the Big Sky hurls big hail, what’s caught outdoors will surely take a beating.

When we asked Andy Winters (our subject Chevelle’s owner) about his damages, he likened the offending hail size to that of Bing cherries. Although it could’ve been worse, Winters’ insurer might consider his car a total loss—at least according to the first appraiser to come and have a look.

It’s been 14 years now since Tony Smith of TBS Customs refinished Winters’ Chevelle, but prior to the hailstorm it showed no signs of deterioration whatsoever. One contributing factor to this older finish’s longevity is mil thickness—or perhaps mil thinness would be a better way to put it. At any rate, excessive mil thickness limits a finish’s all-important ability to expand and contract with temperature changes.
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California Gold
Larry Fannin’s 1969 Chevelle
BY NICK LICATAImages by NotStock Photography
I

t’s no secret that California is a gold mine for classic car hunters who know where to look. The dry climate has long been a protector of Detroit sheetmetal, offering up sunbaked survivors instead of rusted-out basket cases. For the right buyer, that means finding a solid starting point for a project car that won’t require half your budget in quarter-panels and floorpans.

Larry Fannin of Lewis Center, Ohio, knew exactly where to dig. Back in 2005, after a lengthy Internet search that led him to eBay, he found his dream machine–a 1969 Chevelle sitting in Ontario, California, commonly known to the locals as “The IE” or “Inland Empire.” Larry tells us the car originated from a lady who bought it new and drove it daily for decades. The car took a less predictable turn and spent time in the hands of a local drug dealer who wound up in prison. The car languished in storage until a police officer rescued it and held onto it for years before finally listing it for sale Online.

“The officer had his price and I had mine,” Larry recalls. “After a month of sitting on my offer, the cop finally called and said, ‘You’ve got yourself a deal.’ I jumped on a plane to check it out in person, made it official, and arranged for a hauler to ship the car back to Ohio. I didn’t know the car’s running condition, so I chose not to risk driving it across the country.”

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1965 Corvette, Roadster Shop Style
Part 2: Glass and ’Glass
Illustration of a blue 1965 Corvette Roadster with side exhaust and wire wheels.
By Ron Covell IMAGES Courtesy of Roadster Shop
I

n the first installment of our coverage on this remarkable Corvette—a full-scale reimagining being crafted by the talented team at Roadster Shop—we explored some of the work that went into reshaping the firewall, floor, and interior panels. This time, we’re taking a closer look at a different side of the build: what it takes to fit the glass and trim to a level that goes far beyond factory standards.

Beneath the hood, the inner wheel panels were smoothed and carefully reshaped to nestle cleanly around the new front suspension. New flanged fiberglass panels were fabricated and bonded into place, adding strength and giving the lower edges a finished, coachbuilt look.

The Corvette’s signature side vents also received a complete rethink. New pieces were machined from billet aluminum, and 3-D–printed polymer prototypes were created along the way to perfect the recesses before committing to metal. On the inside, hand-fabricated aluminum panels were added to properly duct air through the functional vents—blending design and engineering in equal measure.

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By Tony Thacker Images by Marc Gewertz
Black-on-Black
Jeff Pont’s 1969 Camaro
D

oing things with your father, for your father, or in memory of your father is one of life’s great pleasures. And so it was that Jeff Pont reworked this 1969 Camaro in memory of his father, Duane. 

“Duane was a lifelong muscle car enthusiast and for as long as I can remember,” Jeff says, “he dreamed of owning a 1969 Camaro. Years ago, I was blessed to spend a weekend with him at Barrett-Jackson where he fell in love with one particular ’69. I’ll never forget the moment it came across the auction block—I placed a bid, won it, and looked over to see his face filled with pure joy and disbelief.

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2025 Muscle Car and Corvette Nationals
BY John MachaqueiroImages by THE AUTHOR
H

ard to believe, but we’ve completed another lap around the sun and November has rolled in once again right on schedule. For most holiday-minded folks, the highlight is Thanksgiving. But if you’re the type who prefers a full plate of muscle cars, the Muscle Car and Corvette Nationals (MCACN) at the Donald E. Stephens Convention Center in Rosemont, Illinois, remains the perfect warmup to Turkey Day. Think of the MCACN show as a feast—a variety of irresistible dishes served in one place. No matter which automotive brand you favor, you can count on seeing something new each year thanks to the ever-changing themed displays. It has arguably become the most influential indoor muscle car event in the world.

The 16th edition once again delivered plenty of Bowtie eye candy. In the lobby, attendees were greeted by Bill “Grumpy” Jenkins’ 1972 Pro Stock Vega. A few steps into the main hall brought another iconic racer: Fred Gibb’s first race car, a freshly restored 1967 Camaro Z/28 unveiled on Saturday to help raise the excitement level. Further inside, the Class of 1965 Invitational showcased several L79-equipped Chevelles, including a sub display that featured an entire row of ultrarare 1965 396 Z16-optioned cars. The Fine 09’s Invitational added more Chevrolet flavor, bringing together numerous 409-powered models spanning several years. The Camaro Legends Invitational was a return display once again due to its popularity.

Official unveilings have become a hallmark of MCACN, with restoration shops timing their projects specifically for the show. On Saturday, Peter Brock revealed his latest reinterpretation of the 1963 Corvette from the Peter Brock Studio. The newly restored 1967 Fred Gibb Camaro Z/28, a 1969 Yenko 427 Nova, and a 1969 Baldwin-Motion Phase III Camaro—both the latter owned by Phil Mitchell—also had their covers pulled for their public debut.

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