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BY NICK LICATA

ometimes I compare the similarities of being editor of an automotive magazine to playing in a rock band—one of which I’ve done, and the other I still do. In a band situation, you work (also referred to as “playing,” but essentially, it’s a lot of work) with a few other musicians who have similar taste in music, possess equal or better talent than yourself, all with a common goal to create great-sounding music that you hope appeals to as many people as possible. In the magazine world, working relationships are similar as far as talent and interests go, with the idea to put together a magazine that appeals to as many readers and enthusiasts as possible who share interest in the subject matter delivered in the magazine pages. Some of us “play” with cars with the intention of making them “work.” They don’t make music but instead make a bunch of noise—which to many of us is considered a very sweet sound.
In a band, the players build a cohesive unit and in time learn to work together to refine a sound that’s all their own. When doing a magazine, the idea is similar in that of surrounding yourself with the most talented and experienced writers and photographers to build a solid foundation. Of the utmost importance is having a talented art director, copy editor, and managing editor, as those key elements play an important role in putting together a great-looking, cohesive, successful magazine, and one that each participant is proud to have taken part.
So, building a high-quality monthly magazine requires every person involved to work in harmony (not in the singing harmony. No one in our little magazine world can carry a tune.), be on the same page, and can perform their job at the highest level possible all while meeting strict, recurring deadlines. But here’s the tricky part: We all work on different deadlines and similar ones at the same time. For example, the editor may be putting ideas together for the June issue while at the same time reading articles that were submitted for the May issue while also approving layouts the art director and managing editor have turned in for the April issue. So, essentially what’s happening is that there are three different magazine issues in production at the same time. That’s why working with an experienced staff who are the best at what they do is so important.
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verall, this is just a clean-cut Tri-Five that puts the emphasis on classic looks and rich colors. No major body mods have been performed, but the bumpers are pulled in a bit and shaped to fit the body a bit better than stock. On the exterior, I’ve chosen a Porsche color called Oslo Blue. A secondary blue is a custom mix with the same hue but in a lighter variation for the two-tone area above the side trim. Offsetting those blues is an interior in a Cognac on the brighter side to make it pop a bit. The wheels are a Budnik Del Mar done up mainly in a polished finish with a satin gray accent around the windows.



here are car guys and there are car guys—enthusiasts who live and breathe automotive culture. Rick Van Unen is the latter. His introduction to the hobby came about years ago when he was a teenager hustling speed parts working the counter at the legendary Bell Auto Parts in Bell, California. Those formative years ignited a lifelong passion in the automotive industry on multiple levels, working and playing in various facets of the industry, which also included the off-road sector.
Those early years at Bell stuck with him and lit a hot rod fire that remained fierce as he now maintains a strong stable of muscle cars in his collection—all of which spend very little time sitting as he can often be found cruising one of them across America hitting various car shows in the spring and summer months. Regular readers of All Chevy Performance may recall seeing a few of his rides, including a 1964 Chevelle wagon, 1973 Camaro, and 1957 Bel Air featured in this magazine over the past few years.





early all performance automotive magazine stories take the positive approach. We bolt on the parts, the engine makes more power, and the paintjob comes out perfect every time. Everybody wins, the birds sing, and life is grand. But that’s rarely how it works in the real world.
This story begins with gritty facts that unfortunately happen all too often. The owner of the engine in question has requested to remain anonymous mainly because he now feels like he’s been ripped off. It all started when he asked if we could spend a few minutes curing an ignition problem.
The engine in question was not a typical mild street small-block but instead a high-compression street/race small-block Chevy that was aimed at attacking the local eighth-mile dragstrip.


Joan West’s 1966 Chevy Nova II

n the matrimonial realm it is a safe bet that most things are best when shared. It helps in keeping both individuals involved in each other’s lives, increases happiness, and helps promote marital satisfaction. For those couples who indulge in some form of automotive lifestyle, being on the same page is always a win. That shared vehicular enthusiasm is what set the stage for Dan and Joan West’s build of the 1966 Chevy II that you are looking at. Dan’s wrenching interests developed at an early age from a non-car rich background. He explains, “I got a job in eighth grade at the corner service station pumping gas, which led to doing some mechanical work.” Joan, on the other hand, was at the opposite end of that spectrum with a family who was in the automotive business. As they navigated through the years of married life Dan regularly worked on several Chevys that they enjoyed taking to local shows, cruises, and events. It was at the Goodguys Spring Nationals that the seed was planted to get the Nova. “We walked around and Joan would say, ‘That car is badass,’ and it was either a 1966 or 1967 Nova,” Dan recalls. “We’d go another few minutes and she would see another one and say, ‘That one is cool, too.’ That went on for two days and I realized that she really liked that type of car, so I decided to buy her one because she’s always let me do what I want and has always been supportive.”





lumbing a fuel system on a new build or after an engine swap can be a daunting experience to the uninitiated, but with a little help from your friends here at All Chevy Performance the task can be simplified so that anyone with a handful of the proper tools can get the job done right. But, plumbing the fuel system on a ’69 Camaro back in 1969 is a totally different affair than the way we’d prefer it to be done today. New methods and materials have introduced a modern modus operandi when it comes to the fuel system in general. That first-gen Camaro relied on gravity and suction to feed the mechanical pump mounted off the side of its small-block engine, feeding less than 10 psi to the carburetor. A steel hard line running fore and aft connected by some low-pressure rubber hose and a couple hose clamps were all that was required. Filters, regulators, and return lines were non-existent for the most part—that is until electronic fuel injection came into vogue a decade or so later.
With the advent of bolt-on fuel injection systems and crate engines utilizing OE injection systems, today’s fuel system requirements look a little bit different. For starters, the pressure has increased by about 50 pounds. This requires different hose and fittings, at the very least. In addition to the increase in pressure, EFI requires very clean fuel and responds very poorly to any contaminants contained within. That increase in pressure also needs to remain constant, as any drop can result in poor performance. Careful filtering and regulating therefore is a must in EFI systems. An increase in pressure also requires a more dependable fitting than the venerable barb fitting and hose clamp. A fitting that doesn’t require constant attention and won’t come loose and leak is mandatory. The result is the adoption of specialized hose and hose ends that are assembled to suit and use the AN system.



uite a few noteworthy milestones went down way back in 1984. Worth mentioning is the debut of Apple’s Macintosh computer, Clara Peller asked “Where’s the Beef” in the iconic Wendy’s television commercials, John Huges made his directorial debut with Sixteen Candles, and most of us learned who we’re gonna call if we saw a ghost or any paranormal activity.




ike many of us, Mark Farmer’s introduction to muscle cars came from his dad. Taking him on trips to car shows as a youngster, it was back in the 1970s when those car events gave Mark the bug, which in his teenage years led to subscriptions to a plethora of automotive magazines—Hot Rod, Car Craft, Popular Hot Rodding—and the likes from the muscle car world. During Mark’s high school years, the school parking lot became another influence. “I remember a girl at my school had a 1967 Cougar—the one with the cool taillights—that, for some reason, stood out to me. My buddy had an old Rambler as well, so the idea of having a classic as my first car seemed like a cool idea,” Mark recalls. “By my senior year of high school my friend Todd bought a 1968 Firebird that we worked on until 1984 when I got a classic of my own: a 1966 Chevelle that I bought from the original owner for $1,000 cash.”





ccidents happen, and we all know that fiberglass body panels can be quite fragile. While fiberglass doesn’t stretch and create dents like metal, it often cracks when too much force is applied. Such is the case with our example, a 1977 Nova with fiberglass replacement bumper filler panels. One of the panels suffered some damage, and the result was a 4-inch crack in the surface. While we could have contacted Classic Industries for a replacement part, we figured it would be a good opportunity to show you how easy it is to do fiberglass repairs at home.
We stopped at the local parts store and grabbed a U-Pol fiberglass repair kit, which comes with everything necessary to repair a crack. In fact, there is enough material in the kit to handle a few of these small jobs. A large quantity of loose weave fiberglass mat is in the kit, and there is a 250ml container of resin, along with two small packets of hardener. A mixing cup, mixing sticks, and application brush are also supplied. For less than $30, you can’t beat the quality of this kit. Of course, additional expenses are needed for body filler, primer, and paint, but the repair kit certainly gets you a long way in the process.



etting a second chance with your first love is a rare occasion, but that’s exactly what happened with Scott McKendry and his 1972 Motion Phase III Camaro Z28. This incredibly rare machine perfectly embodies 1970s high-performance builds, and it’s restored to a high level with period-correct components. The nuts and bolts of this car are outstanding, but it’s the story behind it that’ll bring a smile to your face. Let’s get into it.






For the Bowtie faithful there are always new revelations that come to light at the show. Before entering the main hall, in the lobby are a pair of original Penske Trans Am Camaros, along with a 1967 Yenko 427 SC Camaro, 1969 Camaro Z/28, and a 1967 L88 Corvette clone. Beyond the main entrance, in the Factory Lightweights Invitational, one could find several early 1960s Chevys from the golden age of racing, while more modern examples could be found in the Nostalgia Pro Stock group, which was a carryover display from 2023.
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