t’s not uncommon for kids to become a product of their environment and gravitate toward whatever it is that gets their attention. When passing through those influential teenage years, the guy down the street with the hopped-up muscle car who spends a good amount of time wrenching and cruising the neighborhood in a car with a highly pronounced exhaust and a burley V-8 underhood can easily suck a kid into the scene. Mike Fell’s influence came from a similar situation but was compounded by an unlikely source: his grandmother. Yep. “When I was young, my grandmother had a ’67 Chevelle that I remember riding in many times as a young boy,” Mike reminisces. “When she was done with the car, it was handed down to my parents who drove it for a few years before passing the keys to me on my 16th birthday. The car was very used, slightly dented, and well broken in.”
To put a time perspective on the mid-’70s event, Mike proudly installed an 8-track player and hacked up the doors to fit a pair 5-inch coaxial speakers soon after he took ownership. Mike was rocking with the car through his high school years, but just prior to heading off to college the car blew a head gasket. Mike pondered the idea of spending the money to fix it, but instead sold it to a junkyard as a parts car. Today we cringe, but a used-up Chevelle wasn’t worth much back in the late ’70s.
Mike asked Schwichtenberg if he could find and build a similar ride like the one he remembered going on dates and having fun with his buds during his high school years. Old cars have the distinct ability to carry a lifetime of memories, so finding one of the same vintage would be a great way to relive some good times, even though what Mike had in mind would be quite an upgrade from Grandma’s ride.
Schwichtenberg’s got a network of car stalkers—friends who know he’s always on the prowl for early muscle. It wasn’t long before they pulled through with a specimen, although rough, they know Schwichtenberg’s got the ultimate set of tools and shop full of qualified gearheads who can turn trash into treasure.
With a plan in place, GoodFellows’ crew members Mark Lindsay, Jason Stark, and Larry Laws started with removing the tainted metal and swapped in some fresh bits from Auto Metal Direct. A couple new quarter-panels, doorskin, hood, and two front fenders got them on track and had the ’67 Chevelle looking more like, well, a ’67 Chevelle. Before the final touches, they opened the rear inner fenders with Detroit Speed mini-tubs as big fat meats were on the menu to help contain the Chevelle’s appetite for smoking rubber. They smoothed and grooved the body to their liking, then laid down a fine layer of PPG Marina Blue. They accented the envelope with Billet Rides outside mirrors and had Royal Plating in nearby Tucson treat the stock bumpers and door handles to new chrome finish.
Vehicle: ’67 Chevelle
Type: Chevrolet Performance LSA
Displacement: 376 ci
Compression Ratio: 9.1:1
Bore: 4.065 inches
Stroke: 3.622 inches
Cylinder Heads: Aluminum L92-style port
Rotating Assembly: Forged crankshaft, powdered metal rods, hypereutectic aluminum pistons
Camshaft: Hydraulic roller, 0.492/0.480, 198/216 degrees duration at 0.050
Induction: 1.9L Eaton TVS supercharger
Exhaust: GoodFellows custom headers, 3-inch stainless exhaust, SpinTech mufflers
Ancillaries: American Billet accessory drive system, PRC aluminum radiator, GoodFellows custom intake tube, Eddie Motorsports hood hinges
Tuning: GoodFellows
Output: 540 hp and 519 lb-ft to the tires
Transmission: TREMEC T56 six-speed transmission
Clutch: McLeod twin disc
Rear Axle: Strange 9-inch rearend, limited-slip posi, 4.10 gears, strange 35-spline axles
Chassis: Art Morrison A-body GT-Sport chassis
Front Suspension: Art Morrison Sport IFS control arms, C6 spindles, Strange coilover shocks, 450-pound springs, adjustable spline sway bar, Detroit Speed rack-and-pinion steering
Brakes: Baer 14-inch rotors, six-piston calipers front and rear, Baer ReMaster brake master cylinder
Wheels: Boze GoodFellows wheels (18×10 front, 18×12 rear)
Tires: Michelin Pilot Sport; 275/35R18 front, 335/30R18 rear
Upholstery: Double loop blue carpet, custom white leather upholstery by GoodFellows
Seats: Stock buckets with white leather covers
Steering: ididit steering column, Billet Specialties steering wheel
Shifter: Clayton Machine Works
Door Handles: Clayton Machine Works
Dash: Stock with Dakota Digital HDX gauge package
HVAC: Vintage Air
Center Console: GoodFellows Custom
Bodywork and Paint: Mark Lindsay, Jason Stark, and Larry Laws
Paint: PPG Marina Blue
Hood: Auto Metal Direct
Quarter-Panels: Auto Metal Direct
Fenders: Auto Metal Direct
Mini-Tubs: Detroit Speed
Bumpers: Stock trimmed and tucked
Plating: Royal Plating (Tucson, AZ)
Mike’s grandmother’s OG Chevelle was born with automatic, but Mike prefers changing gears on his terms, so a new TREMEC T56 six-speed was sourced and backed up by a McLeod twin-disc clutch. A TAD driveshaft sends power to a Strange 9-inch rearend outfitted with a limited-slip posi, 4.10 gears, and Strange 31-spline axles.
Aggressive stance and ride quality were both high priorities, so Schwichtenberg dropped the body on an Art Morrison chassis. The ensemble includes a four-link out back with Strange coilover dampers, 250-pound springs, and a GoodFellows splined sway bar. Up front are C6 style spindles, Sport IFS tubular control arms, Strange adjustable coilover shocks, 450-pound springs, GoodFellows splined sway bar, and Detroit Speed rack-and-pinion steering system.
The five-spoke aluminum wheels are a custom GoodFellows design, built by Boze (18×10 front, 18×12 rear) and are cloaked in Michelin Pilot sport rubber (275/35R18 front, 335/30R18 rear). The combination complements the Chevelle and gives it a personality all its own.
With the factory-style bucket seats and door panels redone in white leather, the interior conveys a stock-ish appearance complemented by the double-loop blue carpet. The stock dash houses black-face Dakota Digital HDX gauge package for vintage a look with modern performance. The ididit steering column and Billet Specialties steering wheel accent the scene, while custom nuances come by way of the Clayton Machine Works door handles, shifter, and pedals. The Vintage Air control panel looks right at home in the custom center console wrapped in white leather. The old-school-looking head unit appears harmless but is the catalyst to a 300-watt amp and a quad dose of 6×9 speakers strategically placed in the doors and package tray–a far cry from the 8-track player Mike installed in his first Chevelle.
Mike’s one-year project was well worth the short wait, and he says, “[Schwichtenberg] got it right. He built a vintage car that has all the modern bits that make me feel like I’m driving a new performance car with all the power I need. The car not only looks beautiful beyond my expectations, but it also reminds me of my grandmother’s original ’67 Chevelle, only with a lot more attitude.